{"id":6659,"date":"2026-03-26T22:54:39","date_gmt":"2026-03-26T19:54:39","guid":{"rendered":"https:\/\/neoberidhaber.kahveciyazilim.com\/?p=6659"},"modified":"2026-03-26T22:54:39","modified_gmt":"2026-03-26T19:54:39","slug":"turk-kadinindan-ilk-opera-edusa-sahneye-cikiyor","status":"publish","type":"post","link":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/2026\/03\/26\/turk-kadinindan-ilk-opera-edusa-sahneye-cikiyor\/","title":{"rendered":"T\u00fcrk Kad\u0131n\u0131ndan \u0130lk Opera: \u201cEdusa\u201d Sahneye \u00c7\u0131k\u0131yor"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>\u0130stanbul Devlet Opera ve Balesi, T\u00fcrk kad\u0131n\u0131n\u0131n yazd\u0131\u011f\u0131 ilk opera \u2018Edusa\u2019n\u0131n pr\u00f6miyerini yapacak.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130STANBUL Devlet Opera ve Balesi, Edusa Operas\u0131\u2019n\u0131n d\u00fcnya pr\u00f6miyerini Atat\u00fcrk K\u00fclt\u00fcr Merkezi (<a href=\"https:\/\/www.sondakika.com\/akm\/\">AKM<\/a>)&nbsp;<a href=\"https:\/\/www.sondakika.com\/turk-telekom\/\">T\u00fcrk Telekom<\/a>&nbsp;Opera Sahnesi\u2019nde sanatseverlerle bulu\u015fturmaya haz\u0131rlan\u0131yor. Edusa bir T\u00fcrk kad\u0131n\u0131n\u0131n yazd\u0131\u011f\u0131 ve sahnelenen ilk opera eseri olma \u00f6zelli\u011fiyle \u00f6ne \u00e7\u0131k\u0131yor. T\u00fcrk kad\u0131n Besteci G\u00fcldiyar Tanr\u0131da\u011fl\u0131\u2019n\u0131n besteledi\u011fi, Prof.Dr. \u0130skender Pala\u2019n\u0131n librettosunu kaleme ald\u0131\u011f\u0131 eser, tarih boyunca medeniyetlerin kesi\u015fme noktas\u0131 olmu\u015f co\u011frafyada, Lidya\u2019n\u0131n zenginli\u011fi, siyasi gerilimleri ve insan hikayeleriyle \u00f6r\u00fcl\u00fc d\u00fcnyas\u0131n\u0131 anlat\u0131yor. Eserde ge\u00e7en olaylar, yaln\u0131zca bir d\u00f6nemin de\u011fil, Anadolu\u2019nun binlerce y\u0131ll\u0131k haf\u0131zas\u0131n\u0131n sahneye ta\u015f\u0131nm\u0131\u015f hali. 28 Mart\u2019ta sahnelenecek pr\u00f6miyer \u00f6ncesi son provalar yap\u0131ld\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anadolu, tarih boyunca Hititler, Frigler, Urartular ve \u0130yonlar gibi g\u00fc\u00e7l\u00fc uygarl\u0131klara ev sahipli\u011fi yapm\u0131\u015f ve zengin bir k\u00fclt\u00fcrel miras biriktirdi. Lidya Krall\u0131\u011f\u0131, M.\u00d6. 6. y\u00fczy\u0131lda ekonomik g\u00fcc\u00fc ve siyasal etkisiyle \u00f6ne \u00e7\u0131km\u0131\u015f; ba\u015fkenti Sard (Manisa\u2019n\u0131n Salihli il\u00e7esi) ticaret yollar\u0131n\u0131n kesi\u015fti\u011fi, canl\u0131 ve zengin bir kent olarak dikkat \u00e7ekti. Krall\u0131\u011f\u0131n do\u011fu s\u0131n\u0131r\u0131, d\u00f6nemin \u00f6nemli do\u011fal ve siyasal s\u0131n\u0131r\u0131 olan K\u0131z\u0131l\u0131rmak Nehri\u2019ne kadar uzan\u0131yordu.Prof. Dr. \u0130skender Pala, Edusa eserinde bir toplumun ger\u00e7ek g\u00fcc\u00fcn\u00fcn toprak ya da maddi zenginlikten de\u011fil, ku\u015faktan ku\u015fa\u011fa aktar\u0131lan k\u00fclt\u00fcr\u00fcnden do\u011fdu\u011funu vurguluyor. Tarih boyunca alt\u0131n, para ve iktidar el de\u011fi\u015ftirmi\u015f; imparatorluklar y\u0131k\u0131lm\u0131\u015f, s\u0131n\u0131rlar de\u011fi\u015fti. Ancak k\u00fclt\u00fcr\u00fcn\u00fc koruyan toplumlar varl\u0131klar\u0131n\u0131 s\u00fcrd\u00fcrmeyi ba\u015fard\u0131. Kal\u0131c\u0131 adalet ise yaln\u0131zca g\u00fc\u00e7 sahiplerinin iradesine de\u011fil; k\u00fclt\u00fcrel de\u011ferler, etik anlay\u0131\u015f ve toplumsal haf\u0131zaya dayan\u0131yor. Edusa\u2019da anlat\u0131lan ise, bu ger\u00e7e\u011fi ge\u00e7mi\u015ften bug\u00fcne hat\u0131rlatan g\u00fc\u00e7l\u00fc bir anlat\u0131 olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018K\u00dcLT\u00dcR\u00dcM\u00dcZ\u00dc KEND\u0130 \u00dcRETT\u0130\u011e\u0130M\u0130Z ESERLERLE \u0130LER\u0130YE TA\u015eIYAB\u0130L\u0130R\u0130Z\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2018Gilgame\u015f\u2019 ile opera sahnelerinde yenilik\u00e7i yakla\u015f\u0131m\u0131yla \u00f6ne \u00e7\u0131kan rejis\u00f6r Caner Ak\u0131n, yeni bir d\u00fcnya pr\u00f6miyeriyle izleyici kar\u015f\u0131s\u0131na \u00e7\u0131kmaya haz\u0131rlan\u0131yor. \u2018EDUSA hem g\u00fcn\u00fcm\u00fcze \u0131\u015f\u0131k tutuyor hem de gelece\u011fe bir ayna tutuyor\u2019 diyen Ak\u0131n; \u201cEDUSA operas\u0131 hem konu itibariyle hem de bu kadar g\u00fcncel olmas\u0131 itibariyle \u00e7ok \u00f6nemli bir konumda. Say\u0131n Prof. Dr. \u0130skender Pala\u2019n\u0131n librettosunu yazd\u0131\u011f\u0131 esesri G\u00fcldiyar Tanr\u0131da\u011fl\u0131 besteledi. Eserin burada \u00f6nemli noktalar\u0131 var. Anadolu co\u011frafyas\u0131nda binlerce y\u0131ld\u0131r, on binlerce y\u0131ld\u0131r ciddi bir k\u00fclt\u00fcr birikimi var. \u015eu an bile i\u00e7inde bulundu\u011fumuz ortamda topra\u011f\u0131 kazsan\u0131z katman katman, her medeniyete ait, her topluma ait k\u00fclt\u00fcrel varl\u0131klar, kal\u0131nt\u0131lar bulabilirsiniz. Bu tabi \u00e7ok de\u011ferli \u00e7\u00fcnk\u00fc bizim \u015fu anda \u00fczerinde ya\u015fad\u0131\u011f\u0131m\u0131z toprak, bu k\u00fclt\u00fcrle beraber bizi \u00e7ok fazla besliyor ve d\u00fcnyada ayr\u0131cal\u0131kl\u0131 bir yere koyuyor Anadolu topraklar\u0131nda. EDUSA da tabii ki bu ba\u011flamda opera konusu olarak \u00e7ok \u00f6nemli ve de\u011ferli bir yere sahip. Eserimizin verdi\u011fi en \u00f6nemli mesaj say\u0131n \u0130skender Pala\u2019n\u0131n verdi\u011fi mesaj\u0131 \u00e7ok de\u011ferli buluyorum. \u2018K\u00fclt\u00fcr\u00fc olmayan medeniyetler yok olmaya mahkumdur. K\u00fclt\u00fcr\u00fcn\u00fcz varsa bir sava\u015f\u0131 kaybetseniz dahi, yenilmezsiniz. Siz sonsuza kadar ya\u015famaya devam edersiniz.\u2019 EDUSA asl\u0131nda b\u00fct\u00fcn bu a\u015fk, sava\u015f, \u00e7eki\u015fme, h\u0131rslar ve her t\u00fcrl\u00fc insani olgunun i\u00e7erisinde bu de\u011ferli mesaj\u0131 bar\u0131nd\u0131r\u0131yor. Provalar\u0131m\u0131z art\u0131k son noktaya geldi ve bu provalarda d\u00fcnya pr\u00f6miyeri yapmak \u00e7ok kolay bir\u015fey de\u011fil. Varolan eserlerin matemati\u011fi belli, prod\u00fcksiyonda yapabilecekleriniz, s\u0131n\u0131rlar\u0131n\u0131z belli ama \u015fu anda yeni bir bebek do\u011fuyor. \u0130lk kez d\u00fcnyaya bir opera arma\u011fan ediyoruz ve T\u00fcrk operas\u0131. Asl\u0131nda biz bunu \u00f6zellikle g\u00fcncel 2026 y\u0131l\u0131nda nas\u0131l yap\u0131lmas\u0131 gerekti\u011fiyle ilgili ciddi bir emek sarf ediyoruz.&nbsp;<a href=\"https:\/\/www.sondakika.com\/istanbul\/\">\u0130stanbul<\/a>&nbsp;Devlet Opera ve Balesi\u2019nin bu noktadaki gen\u00e7 bestecilerimize yeni T\u00fcrk bestecilerine bu f\u0131rsat\u0131 yaratmas\u0131n\u0131 \u00e7ok \u00f6nemli ve de\u011ferli buluyorum. \u00c7\u00fcnk\u00fc, biz ancak milli k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc, yerli k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc kendi \u00fcretti\u011fimiz sanat eserleriyle ileriye ta\u015f\u0131yabiliriz ve d\u00fcnyaya b\u00f6ylece a\u00e7\u0131labiliriz. Bunun \u00f6nemini bence her jenerasyon fark etmeli.. Edusa hem g\u00fcn\u00fcm\u00fcze bir \u0131\u015f\u0131k tutuyor hem de gelece\u011fimize bir ayna tutuyor\u201d \u015feklinde konu\u015ftu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130BRAH\u0130M YAZICI Y\u00d6NET\u0130YOR<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130stanbul Devlet Opera ve Balesi Orkestras\u0131n\u0131 \u0130brahim Yaz\u0131c\u0131\u2019n\u0131n y\u00f6netece\u011fi eserin dekor ve g\u00f6rsel tasar\u0131m\u0131 Efter Tun\u00e7\u2019a, kost\u00fcm tasar\u0131m\u0131 Olcay Engin Kaymaz\u2019a, \u0131\u015f\u0131k tasar\u0131m\u0131 Cem Y\u0131lmazer\u2019e, video tasar\u0131m\u0131 Aisha Hajiyeva\u2019ya, koreografisi Berk Sar\u0131bay\u2019a ait. \u0130DOB korosunun \u015fefi ise An\u0131l Ayd\u0131n. Operada Edusa rol\u00fcnde G\u00fclbin G\u00fcnay, Evren I\u015f\u0131k Yasemin, Halludas rol\u00fcnde Mert S\u00fcng\u00fc, Ufuk Toker, Krez\u00fcs rol\u00fcnde G\u00f6ktu\u011f Alpa\u015far, G\u00f6khan \u00dcrben, Namirek rol\u00fcnde Nesrin G\u00f6n\u00fclda\u011f, Asude Karayavuz. Kyros rol\u00fcnde Yoel Ke\u015fap, H\u00fcseyin Likos, Solon rol\u00fcnde Caner Akg\u00fcn, Kevork Tavityan, Karuna rol\u00fcnde Barbora Hitay, Deniz Likos, Kufu rol\u00fcnde Berk Dalk\u0131l\u0131\u00e7, B\u00fclent K\u00fclek\u00e7i, Aryan rol\u00fcnde Alper G\u00f6\u00e7eri, Murat G\u00fcney, Nakata rol\u00fcnde Kenan Da\u011fa\u015fan, Emre G\u00fcng\u00f6r, Mehte rol\u00fcnde Erencan Karadi, Burak Kul, Sandanis rol\u00fcnde Arda Durgut, Ufuk Karako\u00e7, Aryenis rol\u00fcnde Efe Do\u011frukul, Bahad\u0131r \u00d6zkoca, soytar\u0131 rol\u00fcnde U\u011fur Etiler, Okan Fidan, muhaf\u0131z rol\u00fcnde Mehmet T\u00fckel Acar, Talip Savranba\u015f\u0131, ulak rol\u00fcnde K\u0131l\u0131\u00e7 Aslan, Emre Parlar d\u00f6n\u00fc\u015f\u00fcml\u00fc olarak sahnede olacak.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00dcNYA PR\u00d6M\u0130YER\u0130 28 MART\u2019TA AKM\u2019DE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eserin d\u00fcnya pr\u00f6miyerinin 28 Mart Cumartesi g\u00fcn\u00fc Atat\u00fcrk K\u00fclt\u00fcr Merkezi (AKM) T\u00fcrk Telekom Bale Sahnesi\u2019nde yap\u0131lacak. EDUSA d\u00fcnya pr\u00f6miyerinin ard\u0131ndan 2, 4, 11, 18 ve 30 Nisan\u2019da yine Atat\u00fcrk K\u00fclt\u00fcr Merkezi \u2013 T\u00fcrk Telekom Opera Sahnesi\u2019nde olacak.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.sondakika.com\/kultur-sanat\/haber-edusa-operasi-dunya-promiyerine-hazir-19689991\/\">haber kayna\u011f\u0131 i\u00e7in t\u0131kla<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">26.03.2026  22:54<\/p>\n","protected":false},"excerpt":{"rendered":"\u0130stanbul Devlet Opera ve Balesi, T\u00fcrk kad\u0131n\u0131n\u0131n yazd\u0131\u011f\u0131 ilk opera \u2018Edusa\u2019n\u0131n pr\u00f6miyerini yapacak. \u0130STANBUL Devlet Opera ve Balesi,&hellip;","protected":false},"author":4,"featured_media":6660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[1,33],"tags":[],"class_list":["post-6659","post","type-post","status-publish","format-standard","has-post-thumbnail","category-genel","category-sanat-kultur","cs-entry","cs-video-wrap"],"_links":{"self":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/6659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/comments?post=6659"}],"version-history":[{"count":1,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/6659\/revisions"}],"predecessor-version":[{"id":6661,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/6659\/revisions\/6661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media\/6660"}],"wp:attachment":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media?parent=6659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/categories?post=6659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/tags?post=6659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}