M\u00fcsl\u00fcm G\u00fcrses, i\u00e7 \u00e7ekerek \u201cD\u00fcnya Ne Hale Gelmi\u015f\u201d dedi\u011finde hen\u00fcz 1978 y\u0131l\u0131yd\u0131. Bu isimli pla\u011f\u0131n \u00e7\u0131k\u0131\u015f\u0131n\u0131n arifesinde, Tarsus-Adana yolunda, i\u00e7inde bulundu\u011fu otomobil kaza yapm\u0131\u015f, Baba g\u00f6zlerini morgda a\u00e7m\u0131\u015ft\u0131. Son anda hayatta oldu\u011fu fark edilerek ameliyata al\u0131nm\u0131\u015f, ancak sonras\u0131nda baz\u0131 melekeleri bozulmu\u015ftu. Baba i\u00e7in kaza \u00f6ncesi de d\u00fcnya g\u00fcll\u00fck g\u00fclistanl\u0131k de\u011fildi. Ailesi par\u00e7alanm\u0131\u015f, Adana\u2019da bir ses yar\u0131\u015fmas\u0131nda birinci olmu\u015f, hen\u00fcz \u00fcnl\u00fc de\u011filken \u00c7\u0131n \u00c7\u0131n Plak nam\u0131na bu pla\u011f\u0131 doldurmu\u015ftu. <\/p>\n\n\n\n
Arabesk y\u00fckseli\u015fe ge\u00e7ince y\u0131ld\u0131z\u0131 parlamaya ba\u015flad\u0131. Bu m\u00fczik Baba\u2019n\u0131n d\u00fcnyas\u0131ndaki ac\u0131lar\u0131 yans\u0131yordu. Burhan Paker bestesi \u201cD\u00fcnya Ne Hale Gelmi\u015f\u201d, do\u011frudan onu ifade ediyordu. Baba\u2019n\u0131n ses karakteri yorgun, a\u011f\u0131r, k\u00f6\u015fesiz ve i\u00e7tendi. Bu ses sokaktaki adam\u0131n ci\u011ferine do\u011frudan i\u015fliyordu. Ses tekni\u011fi ve yorum g\u00fcc\u00fc ise benzersizdi. Dinleyenleri ise d\u00fcnyaya kar\u015f\u0131 dile getirilen isyan modellerinin en u\u00e7 noktas\u0131nda duruyordu. Onlar\u0131n tek b\u00fcy\u00fc\u011f\u00fc M\u00fcsl\u00fcm Baba idi. Baba hayatta olsayd\u0131 d\u00fcnyan\u0131n ne hale geldi\u011fi konusunda d\u00fc\u015f\u00fcnceleri daha karanl\u0131k olurdu. O y\u00fczden Picture ve siyah olmak \u00fczere iki ayr\u0131 bi\u00e7imde, numaral\u0131 olarak yeniden bas\u0131lan bu plak, halen sistemin d\u0131\u015f\u0131nda bir ya\u015fama \u00f6zleminin en net arabesk ifadesidir.<\/p>\n\n\n\n
\u015eatafat\u0131 bol m\u00fczik d\u00fcnyas\u0131nda Turgay Yakut ad\u0131n\u0131 \u00e7ok az insan biliyor olabilir ama O \u015fatafats\u0131z vefalar\u0131n m\u00fczisyenidir. Kalabal\u0131k salonlar\u0131n, efk\u00e2rl\u0131 barlar\u0131n, co\u015fkulu d\u00fc\u011f\u00fcnlerin, gururlu kutlamalar\u0131n en g\u00fcler y\u00fczl\u00fc sahne insan\u0131d\u0131r. G\u00fclen y\u00fcz\u00fcn\u00fcn alt\u0131ndaki h\u00fczn\u00fc g\u00f6zlerinden bir umut \u0131\u015f\u0131\u011f\u0131 olarak yayarcas\u0131na \u00e7alan dertli ozan\u0131d\u0131r. Elindeki gitar, koltu\u011funun alt\u0131ndaki notalarla hayli zamand\u0131r dirsek \u00e7\u00fcr\u00fctm\u00fc\u015f olsa da Turgay \u015fimdi ilk alb\u00fcm\u00fcn\u00fc \u00e7\u0131kard\u0131. 1993 y\u0131l\u0131nda Sivas katliam\u0131ndan yaral\u0131 \u00e7\u0131kan ama bir hafta sonra hayata veda eden \u015fair (ressam ve felsefeci) Metin Alt\u0131ok\u2019un sat\u0131rlar\u0131n\u0131 seslendirerek… Toplam alt\u0131 \u015fark\u0131dan olu\u015fan 26 dakikal\u0131k \u201cSonludur A\u015fk Da\u201d, \u015fairin do\u011fum g\u00fcn\u00fc olan 14 Mart\u2019ta dijital platformlarda yay\u0131mland\u0131. <\/p>\n\n\n\n
Turgay\u2019\u0131n alb\u00fcmdeki yol arkada\u015f\u0131 (ayn\u0131 zamanda kay\u0131tlar\u0131, miksleri ve bir \u015fark\u0131n\u0131n da d\u00fczenlemesini yapan) piyanolar\u0131 \u00e7alan Eser Ta\u015fk\u0131ran. Timur Sel\u00e7uk\u2019un yetmi\u015fli y\u0131llar\u0131n\u0131n romantik ba\u015fkald\u0131r\u0131s\u0131 ile Ezginin G\u00fcnl\u00fc\u011f\u00fc\u2019n\u00fcn seksenli y\u0131llardaki h\u00fcz\u00fcnl\u00fc devrimcili\u011finin ruhunu ta\u015f\u0131yor Turgay. Piyasada m\u00fczik nam\u0131na dolanan curcunan\u0131n bin \u0131\u015f\u0131k y\u0131l\u0131 uza\u011f\u0131nda g\u00f6sterdi\u011fi duru\u015fla, m\u00fczikte samimiyet ve kalite arayanlar i\u00e7in bu alb\u00fcm. Bu \u015fiirler ve \u015fark\u0131lar ruhunu iyile\u015ftirmek isteyenler i\u00e7in.<\/p>\n\n\n\n
Fotomuhabirli\u011fi ve foto\u011fraf sanat\u0131n\u0131n \u00f6nc\u00fclerinden Ara G\u00fcler\u2019in \u201cMastering the Image\u201d ba\u015fl\u0131kl\u0131 sergisi Maison des Arts du L\u00e9man\u2019\u0131n 60. y\u0131l kutlamalar\u0131 kapsam\u0131nda Fransa\u2019n\u0131n Thonon-les-bains kentinde, Galerie de l\u2019Etrave, Th\u00e9\u00e2tre Maurice Novarina\u2019da sanat izleyicisiyle bulu\u015ftu. Sergi, \u0130stanbul ba\u015fta olmak \u00fczere T\u00fcrkiye\u2019nin farkl\u0131 \u015fehirlerinden kareleri bir araya getiriyor. 55 adet siyah-beyaz foto\u011fraftan olu\u015fan se\u00e7ki, G\u00fcler\u2019in foto\u011fraf sanat\u0131ndaki ustal\u0131\u011f\u0131n\u0131 bir ustal\u0131k s\u0131n\u0131f\u0131 niteli\u011finde izleyici ile bulu\u015fturuyor. <\/p>\n\n\n\n
Sergi a\u00e7\u0131l\u0131\u015f\u0131, Maison des Arts du L\u00e9man Direkt\u00f6r\u00fc Pierre Berger, Maison des Arts du L\u00e9man Sanat Direkt\u00f6r\u00fc Thierry Macia, Do\u011fu\u015f Grubu Sanat Dan\u0131\u015fman\u0131 \u00c7a\u011fla Sara\u00e7 ve TC Lyon Ba\u015fkonsolosu Elif \u00c7elebican\u2019\u0131n ev sahipli\u011finde yap\u0131ld\u0131. Ara G\u00fcler\u2019in insan\u0131 merkeze alan bak\u0131\u015f a\u00e7\u0131s\u0131yla \u00f6l\u00fcms\u00fczle\u015fen kareler, duayen foto muhabirinin foto\u011fraf kompozisyonunu olu\u015fturan t\u00fcm unsurlar\u0131 nas\u0131l zahmetsiz bir ustal\u0131kla bir araya getirdi\u011fini ortaya koyuyor. Sergi, 30 May\u0131s\u2019a kadar izlenebilecek.<\/p>\n\n\n\n