{"id":5655,"date":"2026-03-16T22:11:15","date_gmt":"2026-03-16T19:11:15","guid":{"rendered":"https:\/\/neoberidhaber.kahveciyazilim.com\/?p=5655"},"modified":"2026-03-16T22:11:15","modified_gmt":"2026-03-16T19:11:15","slug":"kadinlarin-sesi-muzigin-gucu","status":"publish","type":"post","link":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/2026\/03\/16\/kadinlarin-sesi-muzigin-gucu\/","title":{"rendered":"Kad\u0131nlar\u0131n Sesi, M\u00fczi\u011fin G\u00fcc\u00fc"},"content":{"rendered":"\n

Aromsa Oda Orkestras\u0131, 12 Mart\u2019ta ger\u00e7ekle\u015ftirdi\u011fi konserde Barok d\u00f6nemin kad\u0131n bestecilerinin eserlerini seslendirirken, gen\u00e7 T\u00fcrk besteci Melisa Uzunarslan\u2019\u0131n \u201cKanl\u0131ca S\u00fciti\u201d adl\u0131 yap\u0131t\u0131n\u0131n d\u00fcnya pr\u00f6miyerine de ev sahipli\u011fi yapt\u0131. Program, kad\u0131n bestecilerin g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc art\u0131rmay\u0131 hedefliyor.<\/strong><\/p>\n\n\n\n

Klasik m\u00fczik tarihi \u00e7o\u011fu zaman birka\u00e7 b\u00fcy\u00fck erkek bestecinin ad\u0131 etraf\u0131nda anlat\u0131l\u0131r. Oysa ayn\u0131 d\u00f6nemlerde \u00fcretmi\u015f, hatta virt\u00fc\u00f6zl\u00fckleriyle Avrupa saraylar\u0131nda \u00fcn kazanm\u0131\u015f bir\u00e7ok kad\u0131n besteci vard\u0131r. Ancak m\u00fczik tarihini yazan kalemler \u00e7o\u011fu zaman onlar\u0131 g\u00f6rmezden gelmi\u015f ya da \u201cbirinin e\u015fi\u201d, \u201cbirinin k\u0131z\u0131\u201d olarak anmakla yetinmi\u015ftir.<\/p>\n\n\n\n

Aromsa Oda Orkestras\u0131\u2019n\u0131n 12 Mart ak\u015fam\u0131 d\u00fczenledi\u011fi konser, i\u015fte bu unutulmu\u015f ya da geri planda b\u0131rak\u0131lm\u0131\u015f sesleri yeniden sahneye ta\u015f\u0131yan bir programd\u0131. Kemanc\u0131 ve sanat y\u00f6netmeni Cihat A\u015fk\u0131n, konser \u00f6ncesinde yapt\u0131\u011f\u0131 konu\u015fmada m\u00fczik tarihinin bu tek tarafl\u0131 anlat\u0131s\u0131na dikkat \u00e7ekerek kad\u0131n bestecilerin eserlerinin yeniden repertuvara kazand\u0131r\u0131lmas\u0131n\u0131n \u00f6nemini vurgulad\u0131. Programda Barok d\u00f6nemin dikkat \u00e7ekici isimlerinden Maddalena Laura Sirmen\u2019in eserleri ile Fanny Mendelssohn\u2019un m\u00fczikleri yer ald\u0131. 1745 do\u011fumlu Venedikli kemanc\u0131 ve besteci Sirmen\u2019in baz\u0131 eserleri uzun s\u00fcre yaln\u0131zca el yazmas\u0131 notalar halinde kalm\u0131\u015f, ancak son y\u0131llarda yap\u0131lan \u00e7al\u0131\u015fmalarla yeniden g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131lm\u0131\u015ft\u0131.<\/p>\n\n\n\n

\u2018KANLICA S\u00dc\u0130T\u0130\u2019<\/h2>\n\n\n\n

Konserin uluslararas\u0131 solistleri Linda Hedlund (keman) ve Eunbin Lee (viyola) ise Mozart\u2019\u0131n Sinfonia Concertante eserinde sahnede bulu\u015ftu. \u0130ki solistin dengeli ve zarif yorumlar\u0131, orkestran\u0131n e\u015fli\u011fiyle gecenin en etkileyici klasik anlar\u0131ndan birini olu\u015fturdu. Gecenin as\u0131l s\u00fcrprizi gen\u00e7 T\u00fcrk besteci Melisa Uzunarslan\u2019\u0131n d\u00fcnya pr\u00f6miyeri yap\u0131lan eseri \u201cKanl\u0131ca S\u00fciti\u201d oldu. \u00dc\u00e7 b\u00f6l\u00fcmden olu\u015fan eser, bestecinin \u00e7ocuklu\u011funu ge\u00e7irdi\u011fi Kanl\u0131ca\u2019y\u0131 m\u00fczik arac\u0131l\u0131\u011f\u0131yla adeta bir haf\u0131za mek\u00e2n\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.\u0130lk b\u00f6l\u00fcm, Kanl\u0131ca\u2019n\u0131n do\u011fas\u0131n\u0131 ve Bo\u011faz k\u0131y\u0131s\u0131ndaki huzurlu atmosferini yans\u0131tan sakin ve geni\u015f nefesli bir m\u00fczikal dil kuruyor<\/p>\n\n\n\n

 SANATA KATKI<\/h2>\n\n\n\n

\u0130kinci b\u00f6l\u00fcm ise daha ki\u015fisel bir hik\u00e2ye anlat\u0131yor. Bestecinin 9 ya\u015f\u0131nda s\u0131rt\u0131nda keman\u0131yla her g\u00fcn F\u0131st\u0131kl\u0131 Yoku\u015fu\u2019nu inip \u00e7\u0131kan k\u00fc\u00e7\u00fck bir \u00e7ocuk olarak ya\u015fad\u0131\u011f\u0131 deneyim, ritmik ve hareketli bir yap\u0131 i\u00e7inde m\u00fczi\u011fe d\u00f6n\u00fc\u015f\u00fcyor. Sanki bir \u00e7ocu\u011fun merak\u0131, ko\u015fu\u015fturmas\u0131 ve heyecan\u0131 notalara ta\u015f\u0131nm\u0131\u015f gibi.<\/p>\n\n\n\n

\u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcmde ise Kanl\u0131ca\u2019n\u0131n sosyal hayat\u0131 ve mahalle atmosferi sahneye geliyor. M\u00fczi\u011fin dokusu daha canl\u0131, daha konu\u015fkan. Sokaklar\u0131n, insanlar\u0131n ve g\u00fcndelik hayat\u0131n enerjisi hissediliyor.<\/p>\n\n\n\n

Uzun y\u0131llard\u0131r sanata verdi\u011fi destekle bilinen Aromsa\u2019n\u0131n katk\u0131s\u0131, kad\u0131n bestecilerin g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc art\u0131rmay\u0131 ama\u00e7layan bu anlaml\u0131 program\u0131n ger\u00e7ekle\u015fmesinde \u00f6nemli bir rol oynad\u0131. T\u00fcrkiye\u2019nin \u00f6nde gelen aroma ve g\u0131da bile\u015fenleri \u00fcreticilerinden Aromsa, son y\u0131llarda k\u00fclt\u00fcr ve sanat alan\u0131na verdi\u011fi destekle de dikkat \u00e7ekiyor. \u015eirketin y\u00f6netim kurulu ba\u015fkan\u0131 Murat Yasa, \u00f6zellikle klasik m\u00fczik projeleri ve gen\u00e7 m\u00fczisyenlerin desteklenmesi konusunda \u00e7e\u015fitli giri\u015fimlere \u00f6nc\u00fcl\u00fck ediyor. Aromsa, \u0130stanbul M\u00fczik Festivali\u2019nin sponsorlar\u0131 aras\u0131nda da yer al\u0131yor. Aromsa Oda Orkestras\u0131 ise bu yakla\u015f\u0131m\u0131n bir uzant\u0131s\u0131 olarak nitelikli m\u00fczik \u00fcretimini desteklemeyi ve gen\u00e7 sanat\u00e7\u0131lar\u0131n g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc art\u0131rmay\u0131 ama\u00e7layan projeler d\u00fczenliyor.<\/p>\n\n\n\n

\n
haber kayna\u011f\u0131 i\u00e7in t\u0131kla<\/a><\/div>\n<\/div>\n\n\n\n

16.03.2026 22:10<\/p>\n","protected":false},"excerpt":{"rendered":"Aromsa Oda Orkestras\u0131, 12 Mart\u2019ta ger\u00e7ekle\u015ftirdi\u011fi konserde Barok d\u00f6nemin kad\u0131n bestecilerinin eserlerini seslendirirken, gen\u00e7 T\u00fcrk besteci Melisa Uzunarslan\u2019\u0131n…","protected":false},"author":4,"featured_media":5656,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-5655","post","type-post","status-publish","format-standard","has-post-thumbnail","category-sanat-kultur","cs-entry","cs-video-wrap"],"_links":{"self":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/5655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/comments?post=5655"}],"version-history":[{"count":1,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/5655\/revisions"}],"predecessor-version":[{"id":5657,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/5655\/revisions\/5657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media\/5656"}],"wp:attachment":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media?parent=5655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/categories?post=5655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/tags?post=5655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}