{"id":4442,"date":"2026-03-07T16:23:47","date_gmt":"2026-03-07T13:23:47","guid":{"rendered":"https:\/\/neoberidhaber.kahveciyazilim.com\/?p=4442"},"modified":"2026-03-07T16:23:48","modified_gmt":"2026-03-07T13:23:48","slug":"ann-leenin-vasiyeti-ile-feminist-dramatik-komedi-gelin-gosterimde","status":"publish","type":"post","link":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/2026\/03\/07\/ann-leenin-vasiyeti-ile-feminist-dramatik-komedi-gelin-gosterimde\/","title":{"rendered":"\u2018Ann Lee\u2019nin Vasiyeti\u2019 ile feminist dramatik komedi \u2018Gelin!\u2019 g\u00f6sterimde"},"content":{"rendered":"\n

Mona Fastvold\u2019un y\u00f6netti\u011fi Ann Lee\u2019nin Vasiyeti, \u015eaker mezhebinin lideri e\u015fitlik ve ortak m\u00fclkle dolu ya\u015fam\u0131n\u0131 anlat\u0131yor. Maggie Gyllenhaal\u2019un Gelin! filmi ise Frankenstein mitini tersy\u00fcz ederek feminist bir bak\u0131\u015fla yeniden yorumluyor.<\/p>\n\n\n\n

Y\u00f6netmen-yazar Mona Fastvold ile Brady Corbett\u2019in ortak senaryolar\u0131nda Amerika\u2019ya g\u00f6\u00e7, m\u00fcltecilerin yerlerinden edilmesi, bu g\u00f6z\u00fcpek insanlar\u0131n k\u00f6t\u00fcl\u00fck ve \u015fiddet g\u00f6rd\u00fckleri yer al\u0131r.<\/p>\n\n\n\n

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\u201cAmerika; \u00f6zg\u00fcrl\u00fck, zenginlik, vaatler \u00fclkesidir.\u201d Bu olgu Brady Corbett\u2019in The Brutalist\u2019inde yo\u011fundu, Mona Fastvold\u2019un Ann Lee\u2019nin Vasiyeti\u2019nde yeniden ortaya \u00e7\u0131kt\u0131. Senaryosunu Corbett\u2019le birlikte yazan Fastvold, 1736\u2019da Manchester\u2019da do\u011fan sekiz \u00e7ocuklu i\u015f\u00e7i ailesinin k\u0131z\u0131 Ann\u2019\u0131n \u00e7ocuklu\u011fundan New England\u2019a \u00f6l\u00fcm\u00fcne (1784) dek olan ya\u015fam\u0131n\u0131 ger\u00e7ek\u00e7i, minimalist bir anlat\u0131mla aktard\u0131.<\/p>\n\n\n\n

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Y\u00f6netmen, The World to Come filmi i\u00e7in dini ilahiler ara\u015ft\u0131r\u0131rken \u015eaker (Shaker) mezhebinin \u015fark\u0131lar\u0131na rastlad\u0131, az say\u0131da kad\u0131n\u0131n dini lider konumuna ula\u015ft\u0131\u011f\u0131 bu d\u00f6nemde Ann\u2019\u0131n adanm\u0131\u015fl\u0131\u011f\u0131ndan \u00e7ok etkilendi. Ann \u00e7ocuklu\u011funda Tanr\u0131 inanc\u0131yla b\u00fcy\u00fcd\u00fc, ona g\u00f6re Tanr\u0131 kad\u0131n ve erkekti. \u0130ngiltere kilisesinin \u00f6\u011fretilerinden, ba\u011fnazl\u0131\u011f\u0131ndan memnun olmad\u0131\u011f\u0131 i\u00e7in inan\u00e7lar\u0131n\u0131 dansla ifade eden, kad\u0131n-erkek e\u015fitli\u011fine, bek\u00e2rl\u0131\u011fa, ortak m\u00fclke inanan \u015eakerlere kat\u0131ld\u0131.<\/p>\n\n\n\n

\u201cAnne Ann\u201d lakab\u0131n\u0131 alarak ataerkil \u0130ngiltere\u2019nin dikkatini \u00e7ekti. Sapk\u0131n kocas\u0131ndan \u00f6t\u00fcr\u00fc cinsel ya\u015fam\u0131nda ac\u0131 \u00e7ekti, d\u00f6rt kez \u00e7ocuklar\u0131n\u0131 kaybetti, seks-do\u011furma-emzirme-\u00f6l\u00fcm d\u00f6ng\u00fcs\u00fcnde umutsuzlu\u011fa kap\u0131ld\u0131, bek\u00e2retin Tanr\u0131\u2019ya yakla\u015fman\u0131n tek yol oldu\u011funu g\u00f6rd\u00fc. Co\u015fkulu ibadetleri o d\u00f6nemin sosyal ve cinsel hiyerar\u015fisine kar\u015f\u0131 isyand\u0131.<\/p>\n\n\n\n

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AYRIMCILI\u011eA KAR\u015eI DURMAK<\/h2>\n\n\n\n

Festvold, Ann\u2019\u0131 \u00e7ocuklar\u0131n\u0131n ac\u0131 kay\u0131plar\u0131yla \u015fekillendirdi, tinsel geli\u015fimini vurgulayarak d\u00fcr\u00fcst, kararl\u0131, \u00f6d\u00fcns\u00fcz yap\u0131s\u0131n\u0131 irdeledi, empati ile merak aras\u0131nda hassas bir denge kurdu, zaman\u0131n\u0131n \u00f6tesinde bir ikon olarak onu a\u015f\u0131r\u0131 \u00f6vmedi. M\u00fcritleri onun \u0130sa Mesih\u2019in reenkarnasyonu oldu\u011funa inand\u0131, t\u00fcm dilleri konu\u015fup anl\u0131yordu, okuma yazmas\u0131 yoktu.M\u00fcritleriyle birlikte e\u015fitlik\u00e7i, p\u00fcriten, \u0131rksal, cinsel ayr\u0131mc\u0131l\u0131\u011fa kar\u015f\u0131 durdu, hem de bunu \u015fiddet g\u00f6stermeden, silahs\u0131z \u015fekilde, \u2018Beni \u00f6ld\u00fcrebilirsiniz\u2019 diyerek yapt\u0131. Kameraman William Rexer\u2019in 70 mm format\u0131ndaki grenli g\u00f6r\u00fcnt\u00fcleri, do\u011fal \u0131\u015f\u0131kla y\u00fczleri porselenle\u015ftirmesi, \u0131\u015f\u0131k-g\u00f6lge esteti\u011fiyle sahneleri R\u00f6nesans tablolar\u0131na d\u00f6n\u00fc\u015ft\u00fcrmesi, besteci Daniel Blumberg\u2019in m\u00fczi\u011fi, Celia Rowlson-Hall\u2019\u0131n ritmik ibadet koreografisi muhte\u015femdir. Ann Lee\u2019de Amanda Seyfried benzersiz yorumuyla etkileyicidir. Film Oscar\u2019a aday g\u00f6sterilmedi. Ann ve \u015eakerlere kar\u015f\u0131 \u015fiddet, ho\u015fg\u00f6r\u00fcs\u00fczl\u00fck apa\u00e7\u0131k g\u00fcn\u00fcm\u00fcz\u00fc yans\u0131t\u0131r (ICE, Gazze trajedisi, Rusya-Ukrayna, \u0130ran-\u0130srailABD sava\u015f\u0131).<\/p>\n\n\n\n

HEP\u0130M\u0130Z MARY SHELLEY\u2019\u0130Z<\/h2>\n\n\n\n

91 y\u0131l \u00f6nce Frankenstein\u2019\u0131n Gelini (1936\/James Whale) g\u00f6sterime girdi ve korku t\u00fcr\u00fcn\u00fcn en iyi devam filmlerinden oldu. Oyuncu-y\u00f6netmen Maggie Gyllenhaal k\u00fclt klasi\u011fi, \u201cGelin!\u201d ile yeniden yorumlad\u0131, olaylar\u0131 tersine \u00e7evirerek feminist bir manifesto yapt\u0131. \u201cIda, Mary Shelley ya da kad\u0131nsan\u0131z, bast\u0131r\u0131lm\u0131\u015f susturulmu\u015f, kendinizi ifade edemiyorsan\u0131z eliniz kaynar suyun i\u00e7inde gibidir. Kaynar su f\u0131\u015fk\u0131r\u0131nca onu durduramazs\u0131n\u0131z\u201d diyen y\u00f6netmen canavarlar\u0131na tutkuyla yakla\u015f\u0131r.<\/p>\n\n\n\n

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\u201cAmac\u0131m b\u00fcy\u00fck, pop\u00fcler, duygusal deneyimlerle ilgili d\u00fcr\u00fcst bir film yapmakt\u0131. T\u00fcm hayat\u0131n\u0131z\u0131 kendinizden ka\u00e7arak ge\u00e7irebilirsiniz ya da d\u00f6n\u00fcp onunla el s\u0131k\u0131\u015fabilirsiniz\u201d diyen sinemac\u0131 yaln\u0131zl\u0131k \u00e7eken Frankenstein\u2019\u0131n gelin aramas\u0131n\u0131, 1930\u2019lar\u0131n kad\u0131nlar\u0131n\u0131n Gelin gibi abart\u0131l\u0131 makyaj yaparak erkek \u015fiddetini protesto etmelerini vurgular. Y\u0131ld\u0131zlardan olu\u015fan kadroda Jessie Buckley, Christian Bale, Anette Benning, Penelope Cruz, Peter Sarsgaard, Jake Gyllenhaal yer al\u0131r.<\/p>\n\n\n\n

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Y\u00f6netmen sinemaya bir a\u015fk mektubu yazarak Metropolis, Persona, Silindir \u015eapka, Sid ve Nancy, Bonnie ve Clyde, Joker, Wild at Heart, 30\u2019lar\u0131n m\u00fczikallerine sayg\u0131da bulunur, feminist isyan MeToo eylemine g\u00f6nderme yapar. Dans koreografileri, m\u00fczik, yap\u0131m tasar\u0131mlar\u0131 \u00e7ok ba\u015far\u0131l\u0131d\u0131r. Warner Bros, test g\u00f6steriminin ard\u0131ndan Maggie\u2019den genel, cinsel \u015fiddet i\u00e7eren sahneleri \u00e7\u0131karmas\u0131n\u0131 istedi, y\u00f6netmen erkek olsayd\u0131 tepkiler farkl\u0131 m\u0131 olurdu? Maggie de cinsel \u015fiddetin g\u00fcn\u00fcm\u00fczde gittik\u00e7e artt\u0131\u011f\u0131n\u0131 irdeledi.\u00a0<\/p>\n\n\n\n

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HABER KAYNA\u011eI \u0130\u00c7\u0130N TIKLA<\/a><\/div>\n<\/div>\n\n\n\n

16:23<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Mona Fastvold\u2019un y\u00f6netti\u011fi Ann Lee\u2019nin Vasiyeti, \u015eaker mezhebinin lideri e\u015fitlik ve ortak m\u00fclkle dolu ya\u015fam\u0131n\u0131 anlat\u0131yor. Maggie Gyllenhaal\u2019un…","protected":false},"author":4,"featured_media":4448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-4442","post","type-post","status-publish","format-standard","has-post-thumbnail","category-sanat-kultur","cs-entry","cs-video-wrap"],"_links":{"self":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/4442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/comments?post=4442"}],"version-history":[{"count":1,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/4442\/revisions"}],"predecessor-version":[{"id":4449,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/4442\/revisions\/4449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media\/4448"}],"wp:attachment":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media?parent=4442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/categories?post=4442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/tags?post=4442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}