{"id":11451,"date":"2026-05-07T21:56:10","date_gmt":"2026-05-07T18:56:10","guid":{"rendered":"https:\/\/neoberidhaber.kahveciyazilim.com\/?p=11451"},"modified":"2026-05-07T21:56:13","modified_gmt":"2026-05-07T18:56:13","slug":"koc-toplulugundan-100-yilda-sergi-seyahat-sanati","status":"publish","type":"post","link":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/2026\/05\/07\/koc-toplulugundan-100-yilda-sergi-seyahat-sanati\/","title":{"rendered":"Ko\u00e7 Toplulu\u011fu’ndan 100. y\u0131lda sergi: Seyahat Sanat\u0131"},"content":{"rendered":"\n

Ko\u00e7<\/a> Toplulu\u011fu\u2019nun 100. y\u0131l\u0131 kapsam\u0131nda Me\u015fher ve Sadberk Han\u0131m M\u00fcze<\/a>si (SHM), Seyahat Sanat\u0131 sergi<\/a>sini ziyaret\u00e7ilerle bulu\u015fturuyor. Sergi, 15. y\u00fczy\u0131ldan 20. y\u00fczy\u0131la Osmanl\u0131 topraklar\u0131na y\u00f6nelen yolculuklar\u0131n izini s\u00fcren 300\u2019\u00fc a\u015fk\u0131n eseri bir araya getiriyor.<\/p>\n\n\n\n

Seyahat Sanat\u0131: Sadberk Han\u0131m M\u00fczesi ve \u00d6mer Ko\u00e7 Koleksiyonlar\u0131ndan sergisi Me\u015fher\u2019de a\u00e7\u0131l\u0131yor. 15. y\u00fczy\u0131l\u0131n sonundan 20. y\u00fczy\u0131l\u0131n ilk \u00e7eyre\u011fine uzanan geni\u015f bir zaman diliminde Osmanl\u0131 topraklar\u0131na yap\u0131lan yolculuklar\u0131, seyahat motivasyonlar\u0131 \u00fczerinden kurgulayan sergi, Sadberk Han\u0131m M\u00fczesi ve \u00d6mer Ko\u00e7 Koleksiyonlar\u0131\u2019ndan se\u00e7ilen nadir eserlerden olu\u015fuyor.<\/p>\n\n\n\n

Ko\u00e7 Toplulu\u011fu\u2019nun 100. y\u0131l\u0131 kapsam\u0131nda a\u00e7\u0131lan sergi, Toplulu\u011fun 100 y\u0131ll\u0131k insan\u00ee de\u011ferlerle \u00f6r\u00fcl\u00fc yolculu\u011funu temsil eden bir kurguyla Sadberk Han\u0131m M\u00fczesi taraf\u0131ndan haz\u0131rland\u0131.<\/p>\n\n\n\n

Sergi, seyahat kavram\u0131n\u0131 yaln\u0131zca bir yer de\u011fi\u015ftirme de\u011fil, bilin\u00e7li bir se\u00e7me ve kaydetme prati\u011fi olarak ele alan seyahatnameleri oda\u011f\u0131na al\u0131yor.<\/p>\n\n\n\n

Seyahatnamelerin yan\u0131 s\u0131ra, d\u00f6nemin d\u00fcnyas\u0131n\u0131 yans\u0131tan tablolar ve Osmanl\u0131 co\u011frafyas\u0131na dair objeler de bu g\u00f6rsel ve d\u00fc\u015f\u00fcnsel \u00fcretim s\u00fcrecinin par\u00e7alar\u0131 olarak sergide g\u00f6r\u00fclebiliyor.<\/p>\n\n\n\n

K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Sadberk Han\u0131m M\u00fczesi’nden M. Merve Uca’n\u0131n, koordinasyonunu ise Sadberk Han\u0131m M\u00fczesi Direkt\u00f6r\u00fc H\u00fclya Bilgi\u2019nin \u00fcstlendi\u011fi sergi, do\u011fan\u0131n mucizelerinden diplomatik arma\u011fanlara uzanan bir se\u00e7kiyle ziyaret\u00e7ileri \u00e7ok katmanl\u0131 bir tarihsel anlat\u0131ya davet ediyor.<\/p>\n\n\n\n

\"Ko\u00e7<\/figure>\n\n\n\n

500 YILLIK SE\u00c7K\u0130<\/h2>\n\n\n\n

Serginin ana omurgas\u0131n\u0131 Sadberk Han\u0131m M\u00fczesi (SHM) ve \u00d6mer Ko\u00e7 Koleksiyonlar\u0131 olu\u015fturuyor. Buna ek olarak, Rahmi M. Ko\u00e7 ve Caroline N. Ko\u00e7 koleksiyonlar\u0131ndan da se\u00e7ili \u00f6d\u00fcn\u00e7 eserler sergide yer al\u0131yor. \u00d6zellikle \u00c7i\u011fdem Simavi ba\u011f\u0131\u015f\u0131yla SHM\u2019ye kazand\u0131r\u0131lan ve yeni bir koleksiyon grubunun ilk ad\u0131mlar\u0131n\u0131 te\u015fkil eden diplomatik seyahatler sonucu \u00fcretilmi\u015f tablolar ve bir portolan haritas\u0131 serginin merkezinde yer al\u0131yor. Bunun etraf\u0131nda seyahat temas\u0131n\u0131 merkeze alan, birbirleriyle ortak bir anlat\u0131 olu\u015fturan eserler bir arada g\u00f6r\u00fclebiliyor. \u00d6ne \u00e7\u0131kanlar eserler aras\u0131nda Albrecht D\u00fcrer, Jacopo Ligozzi, Louis-Fran\u00e7ois Cassas gibi tan\u0131nm\u0131\u015f sanat\u00e7\u0131lar\u0131n eserleri, seyahat kitaplar\u0131, \u0130stanbul manzaralar\u0131, diplomatik hediyeler, haritalar ve Osmanl\u0131 d\u00fcnyas\u0131n\u0131 belgeleyen \u00f6nemli g\u00f6rsel kaynaklar bulunuyor. Sergi, hem bu istisnai koleksiyonlar\u0131n g\u00fc\u00e7l\u00fc y\u00f6nlerini g\u00f6r\u00fcn\u00fcr k\u0131lmak hem de b\u00fct\u00fcnl\u00fckl\u00fc bir hik\u00e2ye anlatmak amac\u0131yla kurguland\u0131.<\/p>\n\n\n\n

Sergiye, Sadberk Han\u0131m M\u00fczesi\u2019nin uzun y\u0131llara dayanan tecr\u00fcbesinin yan\u0131 s\u0131ra \u00c7i\u011fdem Simavi\u2019nin yak\u0131n d\u00f6nemde ba\u011f\u0131\u015flad\u0131\u011f\u0131 tablolar\u0131n da esin kayna\u011f\u0131 oldu\u011funu belirten Sadberk Han\u0131m M\u00fczesi Direkt\u00f6r\u00fc H\u00fclya Bilgi, serginin bas\u0131n toplant\u0131s\u0131nda \u015funlar\u0131 s\u00f6yledi: \u201cM\u00fczemizin koleksiyonlar\u0131ndan se\u00e7ilen nitelikli dekoratif ve etnografik sanat eserlerine, Say\u0131n \u00d6mer Ko\u00e7\u2019un c\u00f6mert payla\u015f\u0131mlar\u0131 ile seyahatnameler, alb\u00fcmler ve tablolar eklendi. Koleksiyonlar aras\u0131ndaki bu g\u00fc\u00e7 birli\u011fi, bize b\u00fcy\u00fck \u00e7e\u015fitlilik i\u00e7eren seyahat ana fikrini \u00e7ok zengin bir kurguyla sergileyebilme imk\u00e2n\u0131 verdi. Eserlerin nitelikleri ve \u00e7e\u015fitlili\u011fi, seyahatin k\u00fclt\u00fcrleraras\u0131 \u00f6nemini ve tarihe y\u00f6n verme g\u00fcc\u00fcn\u00fc geni\u015f bir \u00e7er\u00e7eve i\u00e7inde canland\u0131rmam\u0131z\u0131 sa\u011flad\u0131.\u201d<\/p>\n\n\n\n

\"Ko\u00e7<\/figure>\n\n\n\n

HEM \u0130LHAM KAYNA\u011eI HEM DE YARATICI B\u0130R \u00dcRET\u0130M B\u0130\u00c7\u0130M\u0130<\/h2>\n\n\n\n

Serginin k\u00fcrat\u00f6r\u00fc M. Merve Uca, b\u00fcy\u00fck bir titizlikle y\u00fcr\u00fct\u00fclen haz\u0131rl\u0131k s\u00fcrecini ise \u015f\u00f6yle anlatt\u0131: \u201cBu sergi asl\u0131nda uzun y\u0131llara dayanan bir kurumsal birikimin sonucu. Yo\u011fun haz\u0131rl\u0131k s\u00fcreci ise yakla\u015f\u0131k bir bu\u00e7uk y\u0131l s\u00fcrd\u00fc. Eser se\u00e7imi, ara\u015ft\u0131rmalar, uzman dan\u0131\u015fmanl\u0131klar\u0131, konservasyon s\u00fcre\u00e7leri, foto\u011fraf \u00e7ekimleri, katalog haz\u0131rl\u0131\u011f\u0131 ve tasar\u0131m \u00e7al\u0131\u015fmalar\u0131 e\u015f zamanl\u0131 y\u00fcr\u00fct\u00fcld\u00fc. En zorlay\u0131c\u0131 ama en keyifli taraf\u0131, \u00e7ok farkl\u0131 disiplinleri tek bir anlat\u0131 alt\u0131nda bir araya getirmekti. Seyahat, insan\u0131n d\u00fcnyaya bak\u0131\u015f\u0131n\u0131 d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. G\u00f6zlem, kar\u015f\u0131la\u015ft\u0131rma, merak ve anlatma arzusu yarat\u0131r. Sergideki pek \u00e7ok eser de bir yolculu\u011fun sonucunda ortaya \u00e7\u0131km\u0131\u015f kitaplar, resimler ve objelerden olu\u015fuyor. Bu anlamda seyahat hem ilham kayna\u011f\u0131 hem de yarat\u0131c\u0131 bir \u00fcretim bi\u00e7imi.\u201d<\/p>\n\n\n\n

Me\u015fher Direkt\u00f6r\u00fc Nil\u00fcfer H. Konuk ise bas\u0131n toplant\u0131s\u0131nda yapt\u0131\u011f\u0131 konu\u015fmada, Ko\u00e7 Toplulu\u011fu\u2019nun 100. y\u0131l\u0131 kapsam\u0131nda Sadberk Han\u0131m M\u00fczesi ile ortakla\u015fa haz\u0131rlanan serginin Me\u015fher\u2019de yer almas\u0131ndan duydu\u011fu mutlulu\u011fu dile getirdi. 2020 y\u0131l\u0131nda Sadberk Han\u0131m M\u00fczesi\u2019nin 40. kurulu\u015f y\u0131l\u0131 dolay\u0131s\u0131yla Me\u015fher\u2019de d\u00fczenlenen Maziyi Korumak sergisinin ard\u0131ndan, Seyahat Sanat\u0131 sergisiyle de nadide eserlerin daha geni\u015f bir izleyici kitlesiyle bulu\u015fturulmas\u0131na imk\u00e2n\u0131 yarat\u0131ld\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n\n\n\n

\"Ko\u00e7<\/figure>\n\n\n\n

‘SEYAHAT ETME SANATI’<\/h2>\n\n\n\n

Sergi, kronolojik bir anlat\u0131dan ziyade, seyahat motivasyonlar\u0131na g\u00f6re kurgulanm\u0131\u015f tematik b\u00f6l\u00fcmler \u00fczerinden bir okuma sunuyor. Merak, inan\u00e7, diplomasi, sava\u015f, ticaret ve turizm gibi ba\u015fl\u0131klar alt\u0131nda, insanlar\u0131n neden yola \u00e7\u0131kt\u0131\u011f\u0131n\u0131 ve bu yolculuklar\u0131n nas\u0131l g\u00f6rsel ve maddi izler b\u0131rakt\u0131\u011f\u0131n\u0131 inceliyor.<\/p>\n\n\n\n

Bat\u0131 literat\u00fcr\u00fcnde \u201cArs Apodemica\u201d olarak adland\u0131r\u0131lan ve \u201cSeyahat etme sanat\u0131\u201d anlam\u0131na gelen k\u00fclliyattan yola \u00e7\u0131k\u0131larak kurgulanan sergide ziyaret\u00e7iler, yaln\u0131zca ge\u00e7mi\u015fte yap\u0131lm\u0131\u015f seyahatleri de\u011fil, ayn\u0131 zamanda kar\u015f\u0131la\u015fmalar\u0131n, bilgi al\u0131\u015fveri\u015finin ve k\u00fclt\u00fcrel etkile\u015fimin nas\u0131l yeni eserler ve yeni bak\u0131\u015f a\u00e7\u0131lar\u0131 \u00fcretti\u011fini g\u00f6rme \u015fans\u0131n\u0131 yakalayacak. Bu y\u00f6n\u00fcyle sergi, seyahati bir hareket olman\u0131n \u00f6tesinde, d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir deneyim olarak ele al\u0131yor.<\/p>\n\n\n\n

\"Ko\u00e7<\/figure>\n\n\n\n

TEMAT\u0130K B\u00d6L\u00dcMLER<\/h2>\n\n\n\n

Seyahat Sanat\u0131, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde seyahat motivasyonlar\u0131 etraf\u0131nda kurgulanan tematik b\u00f6l\u00fcmlerden olu\u015fuyor. Tarih boyunca seyahat; merak, inan\u00e7, siyasi g\u00f6rev, sava\u015f, ticaret ve zamanla turistik arzu gibi farkl\u0131 nedenlerle ger\u00e7ekle\u015fti. Bu ba\u015fl\u0131klar da seyahatin \u00e7ok katmanl\u0131 tarihini anlatmak ve seyahat sonucu ortaya \u00e7\u0131kan eserlerin \u00e7er\u00e7evesini anlamak i\u00e7in g\u00fc\u00e7l\u00fc bir \u00e7er\u00e7eve sunuyor.<\/p>\n\n\n\n

Merak b\u00f6l\u00fcm\u00fc do\u011fay\u0131, insan topluluklar\u0131n\u0131, \u015fehirleri ve bilinmeyeni ke\u015ffetme iste\u011fiyle yap\u0131lan yolculuklara odaklan\u0131yor. Bu b\u00f6l\u00fcmde seyahatnameler, do\u011fa tarihi yay\u0131nlar\u0131, kost\u00fcm alb\u00fcmleri ve g\u00f6zleme dayal\u0131 eserler \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n

\u0130nan\u00e7 b\u00f6l\u00fcm\u00fcnde ise hac yolculuklar\u0131 ve kutsal mek\u00e2nlara yap\u0131lan seyahatler yer al\u0131yor. K\u00e2be, Kud\u00fcs ve kutsal rotalar etraf\u0131nda \u015fekillenen g\u00f6rsel ve yaz\u0131l\u0131 malzemeler ziyaret\u00e7iyle bulu\u015fuyor.<\/p>\n\n\n\n

Sava\u015f b\u00f6l\u00fcm\u00fcnde seferler, ku\u015fatmalar ve \u00e7at\u0131\u015fmalar\u0131n do\u011furdu\u011fu hareketlilik; buna e\u015flik eden haritalar, grav\u00fcrler ve propaganda imgeleri yer al\u0131yor. Bunun yan\u0131 s\u0131ra, bu b\u00f6l\u00fcmde do\u011frudan tan\u0131kl\u0131k olmadan dola\u015f\u0131ma giren T\u00fcrk korkusu \u00e7er\u00e7evesinde \u00fcretilen eserler de yer al\u0131yor.<\/p>\n\n\n\n

Diplomasi b\u00f6l\u00fcm\u00fcnde el\u00e7ilik heyetleri, kabul t\u00f6renleri, arma\u011fanla\u015fma k\u00fclt\u00fcr\u00fc ve devletler aras\u0131 temsil bi\u00e7imleri ele al\u0131n\u0131yor. El\u00e7ilerin beraberinde getirdi\u011fi sanat\u00e7\u0131lar ve bu sanat\u00e7\u0131lar\u0131n \u00fcretti\u011fi g\u00f6rsel kay\u0131tlar, b\u00f6l\u00fcm\u00fcn \u00f6nemli unsurlar\u0131 aras\u0131nda yer al\u0131yor.<\/p>\n\n\n\n

Ticaret b\u00f6l\u00fcm\u00fcnde ise emtian\u0131n yan\u0131 s\u0131ra fikirlerin, zevklerin ve estetik anlay\u0131\u015flar\u0131n da dola\u015f\u0131ma girdi\u011fi vurgulan\u0131yor. Hal\u0131lar, tekstiller, seramikler ve ticaret yollar\u0131na ili\u015fkin malzemeler \u00f6ne \u00e7\u0131karken, kahve t\u00fcketimi gibi k\u00fclt\u00fcrel al\u0131\u015fkanl\u0131klar\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fc de izlenebiliyorKapan\u0131\u015f b\u00f6l\u00fcm\u00fc olan turizmde ise 19. y\u00fczy\u0131lda buharl\u0131 gemiler ve demiryollar\u0131yla h\u0131zlanan yeni seyahat k\u00fclt\u00fcr\u00fc ele al\u0131n\u0131yor. Yolculu\u011fun g\u00f6rev ya da zorunluluktan \u00e7ok deneyim ve arzuya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc bir d\u00f6nemi anlat\u0131yor.<\/p>\n\n\n\n

B\u00f6ylece ziyaret\u00e7iler seyahatin yaln\u0131zca co\u011frafi bir hareket de\u011fil, d\u00fcnyay\u0131 alg\u0131lama ve yeniden kurma bi\u00e7imi oldu\u011funu farkl\u0131 ba\u015fl\u0131klar alt\u0131nda izleyebiliyor.<\/p>\n\n\n\n

8 May\u0131s\u2019ta a\u00e7\u0131lacak Seyahat Sanat\u0131 sergisi 23 May\u0131s 2027 tarihine kadar Me\u015fher\u2019de ziyaret edilebilir.<\/p>\n\n\n\n

\"Ko\u00e7<\/figure>\n\n\n\n

SERG\u0130 KATALO\u011eU<\/h2>\n\n\n\n

Serginin katalo\u011fu da T\u00fcrk\u00e7e ve \u0130ngilizce olmak \u00fczere iki ayr\u0131 kitap halinde yay\u0131mland\u0131. \u00d6ns\u00f6z\u00fcn\u00fc \u00d6mer M. Ko\u00e7\u2019un, sunu\u015f yaz\u0131s\u0131n\u0131 Sadberk Han\u0131m M\u00fczesi Direkt\u00f6r\u00fc H\u00fclya Bilgi\u2019nin kaleme ald\u0131\u011f\u0131 katalogda, K\u00fcrat\u00f6r M. Merve Uca’n\u0131n da sergiye dair a\u00e7\u0131klama metni yer al\u0131yor. Foto\u011fraf \u00e7ekimleri Hadiye Cang\u00f6k\u00e7e taraf\u0131ndan ger\u00e7ekle\u015ftirilen katalo\u011fun grafik tasar\u0131m\u0131 ise Ye\u015fim Demir Pr\u00f6hl imzas\u0131 ta\u015f\u0131yor.<\/p>\n\n\n\n

Katalogda yer alan di\u011fer yazarlar ve konu ba\u015fl\u0131klar\u0131 da \u015fu \u015fekilde:<\/p>\n\n\n\n

\u201cSeyahat \u0130\u00e7inde Seyahat\u201d: Mimarinin Duygu Yaratma G\u00fcc\u00fc ve Seyyah-Sanat\u00e7\u0131lar\u0131n Duygu Yolculuklar\u0131 – Turgut Saner<\/p>\n\n\n\n

\u201cBirka\u00e7 Sebep S\u00f6yledim Onlara\u201d: Osmanl\u0131 D\u00fcnyas\u0131ndaki Erken Modern Seyyahlar\u0131n Seyahat Sebeplerini \u00c7\u00f6zmek \u2013 William Kynan-Wilson<\/p>\n\n\n\n

\u0130stanbul\u2019dan Hicaz\u2019a: Hac\u0131lar\u0131n Kaleminden Mukaddes Yolculuk – \u015eebnem Eryavuz<\/p>\n\n\n\n

Diplomatik \u0130li\u015fkilerin Sanata Yans\u0131malar\u0131 – G\u00fcnsel Renda<\/p>\n\n\n\n

T\u00fcrk Modas\u0131 – L\u00e2le G\u00f6r\u00fcn\u00fcr<\/p>\n\n\n\n

Alter Sive Amicus (\u00d6teki veya Dost): Uyum ile \u00d6tekilik Aras\u0131nda Venedik ve Osmanl\u0131lar \u2013 Vera Constantini<\/p>\n\n\n\n

Merak, Ticaret, Arma\u011fan: \u0130hti\u015fam\u0131n Saraydan Saraya Yolculu\u011fu – H\u00fclya Bilgi<\/p>\n\n\n\n

Binbir Gece Masallar\u0131\u2019ndan Kutsal Topraklar\u2019a: Oryantalizmde Resim ve Foto\u011fraf Sanat\u0131n\u0131n Etkile\u015fimi – Bahattin \u00d6ztuncay<\/p>\n\n\n\n

NOT: Foto\u011fraflar Bar\u0131\u015fAras & Elif \u00c7ak\u0131rlar\u2019a aittir.<\/p>\n\n\n\n

Eser g\u00f6rsellerine ve k\u00fcnyelerine bu linkten ula\u015fabilirsiniz: \/\/we.tl\/t-gbmqO89quntfz6GT<\/p>\n\n\n\n

Me\u015fher Hakk\u0131nda<\/p>\n\n\n\n

Bir Vehbi Ko\u00e7 Vakf\u0131 (VKV) kurulu\u015fu olan Me\u015fher, tarihsel ara\u015ft\u0131rmalardan \u00e7a\u011fda\u015f sanata uzanan sergileri ve yay\u0131nlar, at\u00f6lyeler, konferanslar gibi kapsaml\u0131 paralel etkinlikleriyle zamanlar ve k\u00fclt\u00fcrler aras\u0131nda yeni bir diyalog zemini sa\u011flamay\u0131 ama\u00e7l\u0131yor. Ad\u0131n\u0131 Osmanl\u0131 T\u00fcrk\u00e7esinde \u201csergi mek\u00e2n\u0131\u201d anlam\u0131na gelen kelimeden alan Me\u015fher, faaliyetlerini disiplinleraras\u0131 yakla\u015f\u0131m\u0131yla Eyl\u00fcl 2019\u2019dan itibaren s\u00fcrd\u00fcr\u00fcyor. Orta\u00e7a\u011fdan g\u00fcn\u00fcm\u00fcze uzanan bir zaman aral\u0131\u011f\u0131nda, geni\u015f bir konu yelpazesinde sergiler sunuyor. \u00c7ok y\u00f6nl\u00fc program\u0131, ara\u015ft\u0131rmaya dayal\u0131 akademik y\u00f6n\u00fc ve yay\u0131nlar\u0131yla Me\u015fher, bir referans noktas\u0131 olarak k\u00fclt\u00fcr ve sanat ortam\u0131na katk\u0131da bulunuyor. \u0130stiklal Caddesi\u2019nde yer alan Me\u015fher\u2019de, ziyaret, etkinlik ve sergi turlar\u0131 \u00fccretsiz olarak ger\u00e7ekle\u015ftiriliyor. Pazartesi hari\u00e7 haftan\u0131n alt\u0131 g\u00fcn\u00fc ziyaret edilebilir.<\/p>\n\n\n\n

SADBERK HANIM M\u00dcZES\u0130 HAKKINDA<\/h2>\n\n\n\n

14 Ekim 1980 tarihinde T\u00fcrkiye\u2019nin ilk \u00f6zel m\u00fczesi olarak ziyarete a\u00e7\u0131lan Sadberk Han\u0131m M\u00fczesi, kurulu\u015funda yakla\u015f\u0131k 3 bin esere sahipken bug\u00fcn 21 bini a\u015fk\u0131n eserden olu\u015fan zengin koleksiyonu ve birikimi ile k\u00fclt\u00fcrel miras\u0131 gelecek ku\u015faklara aktarma, toplumun bilimsel ve e\u011fitsel geli\u015fimine katk\u0131da bulunma g\u00f6reviyle \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrmektedir. M.\u00d6. 6. biny\u0131ldan Bizans d\u00f6nemi sonuna kadar Anadolu\u2019da ya\u015fayan uygarl\u0131klar\u0131n maddi k\u00fclt\u00fcr kal\u0131nt\u0131lar\u0131n\u0131 yans\u0131tan arkeolojik eserler Sevgi G\u00f6n\u00fcl Binas\u0131\u2019nda yer alan Arkeoloji B\u00f6l\u00fcm\u00fc\u2019nde; Osmanl\u0131 a\u011f\u0131rl\u0131kl\u0131 \u0130slam eserleri, Osmanl\u0131lar i\u00e7in yap\u0131lm\u0131\u015f Avrupa, Uzakdo\u011fu ve Yak\u0131ndo\u011fu eserleri, Osmanl\u0131 d\u00f6nemi dokumalar\u0131, k\u0131y\u00e2fetleri ve i\u015flemeleri ise Azaryan Yal\u0131s\u0131\u2019ndaki T\u00fcrk-\u0130slam Eserleri B\u00f6l\u00fcm\u00fc\u2019nde sergilenmektedir. Kal\u0131c\u0131 ve s\u00fcreli sergilerin yan\u0131 s\u0131ra bilimsel yay\u0131nlar, e\u011fitim programlar\u0131, at\u00f6lyeler, uluslararas\u0131 i\u015f birlikleri ve akademik etkinliklerle koleksiyonunun farkl\u0131 a\u00e7\u0131lardan yorumlanmas\u0131na da \u00f6nem veren Sadberk Han\u0131m M\u00fczesi, bug\u00fcn T\u00fcrkiye\u2019de yaln\u0131zca \u00f6zel m\u00fczecili\u011fin \u00f6nc\u00fcs\u00fc de\u011fil, ayn\u0131 zamanda ge\u00e7mi\u015fle g\u00fcn\u00fcm\u00fcz aras\u0131nda g\u00fc\u00e7l\u00fc bir k\u00f6pr\u00fc kuran \u00f6nemli bir haf\u0131za mek\u00e2n\u0131.<\/p>\n\n\n\n

kaynak :https:\/\/www.odatv.com\/kultur-sanat\/koc-toplulugundan-100-yilda-sergi-seyahat-sanati-120146192<\/a><\/p>\n\n\n\n

07.05.2026 21:55<\/p>\n","protected":false},"excerpt":{"rendered":"Ko\u00e7 Toplulu\u011fu\u2019nun 100. y\u0131l\u0131 kapsam\u0131nda Me\u015fher ve Sadberk Han\u0131m M\u00fczesi (SHM), Seyahat Sanat\u0131 sergisini ziyaret\u00e7ilerle bulu\u015fturuyor. Sergi, 15. y\u00fczy\u0131ldan 20. y\u00fczy\u0131la…","protected":false},"author":4,"featured_media":11452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[1,33],"tags":[],"class_list":["post-11451","post","type-post","status-publish","format-standard","has-post-thumbnail","category-genel","category-sanat-kultur","cs-entry","cs-video-wrap"],"_links":{"self":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/11451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/comments?post=11451"}],"version-history":[{"count":1,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/11451\/revisions"}],"predecessor-version":[{"id":11453,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/11451\/revisions\/11453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media\/11452"}],"wp:attachment":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media?parent=11451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/categories?post=11451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/tags?post=11451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}