{"id":10578,"date":"2026-04-28T23:27:36","date_gmt":"2026-04-28T20:27:36","guid":{"rendered":"https:\/\/neoberidhaber.kahveciyazilim.com\/?p=10578"},"modified":"2026-04-28T23:27:36","modified_gmt":"2026-04-28T20:27:36","slug":"gedik-filarmoni-klasik-muzik-repertuvarini-cagdas-bir-bakisla-yeniden-yorumladigi-ozel-bir-konserle-dinleyici-karsisina-cikiyor","status":"publish","type":"post","link":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/2026\/04\/28\/gedik-filarmoni-klasik-muzik-repertuvarini-cagdas-bir-bakisla-yeniden-yorumladigi-ozel-bir-konserle-dinleyici-karsisina-cikiyor\/","title":{"rendered":"Gedik Filarmoni, klasik m\u00fczik repertuvar\u0131n\u0131 \u00e7a\u011fda\u015f bir bak\u0131\u015fla yeniden yorumlad\u0131\u011f\u0131 \u00f6zel bir konserle dinleyici kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yor."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Gedik Filarmoni, klasik m\u00fczik repertuvar\u0131n\u0131 \u00e7a\u011fda\u015f bir bak\u0131\u015fla yeniden yorumlad\u0131\u011f\u0131 \u00f6zel bir konserle dinleyici kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yor. Program, iki d\u00fcnya pr\u00f6miyerini Ludwig van Beethoven\u2019\u0131n 2. Senfonisi ile ayn\u0131 sahnede bulu\u015fturarak, ge\u00e7mi\u015f ile bug\u00fcn\u00fc i\u00e7 i\u00e7e ge\u00e7iren g\u00fc\u00e7l\u00fc bir anlat\u0131 kuruyor.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Konserin m\u00fczikal \u00e7er\u00e7evesi, Cem Mansur\u2019un vizyonuyla \u015fekilleniyor. Mansur, m\u00fczi\u011fi yaln\u0131zca korunmas\u0131 gereken bir miras olarak de\u011fil; s\u00fcrekli d\u00f6n\u00fc\u015fen, ya\u015fayan bir ifade bi\u00e7imi olarak ele al\u0131yor. Bu yakla\u015f\u0131m, klasik eserlerin g\u00fcn\u00fcm\u00fcz besteleriyle yan yana gelmesini bir kar\u015f\u0131tl\u0131k de\u011fil, aksine \u00fcretken bir diyalog olarak konumland\u0131r\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130ki d\u00fcnya pr\u00f6miyerinin yer ald\u0131\u011f\u0131 program, \u00e7a\u011fda\u015f bestecilerin sesini daha geni\u015f kitlelere ula\u015ft\u0131rmay\u0131 hedeflerken, Beethoven\u2019\u0131n 2. Senfonisi ile m\u00fczik tarihinin k\u00f6kl\u00fc miras\u0131na da g\u00fc\u00e7l\u00fc bir selam g\u00f6nderiyor. B\u00f6ylece konser, yaln\u0131zca bir performans olman\u0131n \u00f6tesine ge\u00e7erek, farkl\u0131 d\u00f6nemler aras\u0131nda kurulan sanatsal bir k\u00f6pr\u00fcye d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gedik Filarmoni\u2019nin bu cesur program\u0131, dinleyiciyi al\u0131\u015f\u0131lm\u0131\u015f kal\u0131plar\u0131n d\u0131\u015f\u0131na \u00e7\u0131kararak, m\u00fczi\u011fin zamanlar \u00fcst\u00fc do\u011fas\u0131n\u0131 yeniden d\u00fc\u015f\u00fcnmeye davet ediyor. Bu sahnede, ge\u00e7mi\u015f ve gelecek ayn\u0131 anda yank\u0131lan\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Gedik Filarmoni Orkestras\u0131,&nbsp;<\/strong>sezonu 30 Nisan Per\u015fembe ak\u015fam\u0131 S\u00fcreyya Operas\u0131\u2019nda d\u00fczenlenecek bir konser kapat\u0131yor. Konser, klasik m\u00fczik sahnesinde ince bir denge kuruyor: Bir yanda \u00e7a\u011fda\u015f bestecilerin ilk kez seslendirilecek eserleri, di\u011fer yanda senfonik repertuvar\u0131n k\u00f6\u015fe ta\u015flar\u0131ndan biri\u2026<br><br>Bu \u00e7ok katmanl\u0131 yap\u0131, yaln\u0131zca bir konser program\u0131 de\u011fil; ayn\u0131 zamanda m\u00fczi\u011fin zamans\u0131z do\u011fas\u0131na dair g\u00fc\u00e7l\u00fc bir \u00f6nerme. Orkestran\u0131n sanat anlay\u0131\u015f\u0131, dinleyiciyi konfor alan\u0131ndan \u00e7\u0131kar\u0131rken, ge\u00e7mi\u015f ile bug\u00fcn\u00fc kar\u015f\u0131 kar\u015f\u0131ya getirmek yerine onlar\u0131 \u00fcretken bir diyalog i\u00e7inde bulu\u015fturmay\u0131 hedefliyor. Sezon kapan\u0131\u015f konseri \u00f6ncesi \u015eef Cem Mansur ile bir araya geldik; biz sorduk o yan\u0131tlad\u0131. Keyifli okumalar\u2026<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Gedik Filarmoni Orkestras\u0131\u2019n\u0131n bu konserinde iki d\u00fcnya pr\u00f6miyeri ile Beethoven\u2019\u0131n 2. Senfonisi yan yana geliyor. Bu program kurgusunu olu\u015ftururken ge\u00e7mi\u015f ile bug\u00fcn\u00fc nas\u0131l bir diyalog i\u00e7inde d\u00fc\u015f\u00fcnd\u00fcn\u00fcz?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Gedik Filarmoni Orkestras\u0131\u2019n\u0131n t\u00fcm programlar\u0131n\u0131 olu\u015ftururken iki prensibi g\u00f6zden \u00e7\u0131karmamaya dikkat ediyoruz: Konser salonlar\u0131n\u0131n birer m\u00fcze olmad\u0131\u011f\u0131n\u0131, g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131 yans\u0131tan m\u00fcziklerle y\u00fczle\u015fmemizin m\u00fczi\u011fin ge\u00e7mi\u015f ve gelecek aras\u0131nda en g\u00fczel k\u00f6pr\u00fc oldu\u011funu hat\u0131rlatmak. Y\u00fczy\u0131llar \u00f6ncesinin, ya\u015fad\u0131\u011f\u0131m\u0131z d\u00fcnyadan tamamen farkl\u0131 bir ortam\u0131nda yarat\u0131lanlar\u0131n hala ge\u00e7eri olmas\u0131 da \u201cuygarl\u0131k\u201d ve insan olmakla ilgili de\u011fi\u015fen ve de\u011fi\u015fmeyenler hakk\u0131nda d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. En \u00f6nemli kriter de, eski olsun yeni olsun, en \u00fcst d\u00fczeyde \u00e7al\u0131nmas\u0131, m\u00fczisyenler ve dinleyici aras\u0131nda ancak canl\u0131 m\u00fczikte ya\u015fanabilen bir sinerji yaratabilmek.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/media.cumhuriyet.com.tr\/Archive\/74ec891a-9b1b-472f-9265-504820db2778.jpg\" alt=\"Image\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c7A\u011eDA\u015e M\u00dcZ\u0130\u011e\u0130N \u00c7OK SESL\u0130 Y\u00dcZ\u00dc<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Ege G\u00fcr\u2019\u00fcn \u201cTakma G\u00f6zde Cam\u201d kon\u00e7ertosu olduk\u00e7a \u00e7a\u011fda\u015f bir dil \u00f6neriyor. Bu eseri \u00e7al\u0131\u015f\u0131rken orkestra ve solist aras\u0131nda nas\u0131l bir denge kurmay\u0131 hedeflediniz?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><a target=\"_blank\" rel=\"noreferrer noopener\" href=\"https:\/\/www.repxpert.com.tr\/tr\/explore\/news\/260102-fag-range\"><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a target=\"_blank\" rel=\"noreferrer noopener\" href=\"https:\/\/www.repxpert.com.tr\/tr\/explore\/news\/260102-fag-range\"><\/a><a target=\"_blank\" rel=\"noreferrer noopener\" href=\"https:\/\/www.repxpert.com.tr\/tr\/explore\/news\/260102-fag-range\"><strong>Yolda m\u00fccadele: Kabul<\/strong>G\u00fcvende kal\u0131n. Kontrolde kal\u0131n. Kaliteyi se\u00e7in.<strong>SCHAEFFLER<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/popup.taboola.com\/tr\/?template=colorbox&amp;utm_source=cumhuriyetgazetesi&amp;utm_medium=referral&amp;utm_content=thumbs-ma-01:Mid%20Article:\" rel=\"noreferrer noopener\" target=\"_blank\"><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ege\u2019nin eserlerine daha \u00f6nce hem Gedik Filarmoni hem T\u00fcrkiye Gen\u00e7lik Filarmoni Orkestras\u0131 konserlerinde yer verdim. Yeni kon\u00e7erto da gen\u00e7lik orkestras\u0131n\u0131n son iki y\u0131l ba\u015fkemanc\u0131l\u0131\u011f\u0131n\u0131 yapan Ada Yal\u0131n Y\u00fccel i\u00e7in yaz\u0131ld\u0131. Ege\u2019nin dili \u00e7ok soyut, dingin, derin bir dil. Konsantre olup ses d\u00fcnyas\u0131n\u0131n i\u00e7ine insan\u0131n kendisini b\u0131rakmas\u0131n\u0131 \u00f6neriyor. Bir \u201canti-kon\u00e7erto\u201d diyebiliriz. Sol elin cambazl\u0131\u011f\u0131 yerine uzun seslerin, yayla yap\u0131lan efektlerin \u00f6n planda oldu\u011fu, olduk\u00e7a s\u0131rad\u0131\u015f\u0131 bir m\u00fczik.&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Murat Kodall\u0131\u2019n\u0131n, babas\u0131 Nevit Kodall\u0131 an\u0131s\u0131na yazd\u0131\u011f\u0131 \u201cGrav\u00fcrler\u201d eseri, ki\u015fisel bir haf\u0131za ile m\u00fczikal anlat\u0131y\u0131 bulu\u015fturuyor. Bu t\u00fcr \u201can\u0131tsal\u201d eserlerin yorumunda \u015fef olarak nas\u0131l bir yakla\u015f\u0131m benimsiyorsunuz?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Murat Kodall\u0131\u2019n\u0131n eseriyle Ege G\u00fcr\u2019\u00fcn ayn\u0131 programda olmas\u0131, art\u0131k \u201c\u00e7a\u011fda\u015f m\u00fczik\u201d denince akla tek bir yakla\u015f\u0131m\u0131n gelmemesine i\u015faret ediyor. Atmosferik bir m\u00fczik, Haydarpa\u015fa Gar\u0131 ve Bo\u011faz manzaralar\u0131n\u0131 da i\u00e7eren, daha geleneksel bir dil. Ama her \u00fcslup gibi, ustaca i\u015flendi\u011finde son derece etkili olaca\u011f\u0131ndan eminim.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Gen\u00e7 kemanc\u0131 Ada Yal\u0131n Y\u00fccel ile bu projede \u00e7al\u0131\u015f\u0131yorsunuz. \u00d6zellikle gen\u00e7 sanat\u00e7\u0131lara olan katk\u0131lar\u0131n\u0131z herkes\u00e7e biliniyor. T\u00fcrkiye Gen\u00e7lik Filarmoni Orkestras\u0131 da bu anlamda somut bir \u00f6rnek. Sanat\u0131n gen\u00e7 temsilcileri i\u00e7in neler s\u00f6ylersiniz?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00fcrkiye Gen\u00e7lik Filarmoni Orkestras\u0131 20nci y\u0131l\u0131nda. Kar\u015f\u0131la\u015ft\u0131\u011f\u0131m ve katk\u0131da bulunmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m y\u00fczlerce gen\u00e7 m\u00fczisyen bana T\u00fcrkiye ile ilgili hi\u00e7bir zaman \u00fcmidi kaybetmememiz gerekti\u011fini, farkl\u0131 sesler \u00e7\u0131kar\u0131rken en b\u00fcy\u00fck uyumun yakalanabilece\u011fini hat\u0131rlat\u0131yor.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/media.cumhuriyet.com.tr\/Archive\/ca445121-a4ab-4cd2-adff-70e9289ebedb.jpg\" alt=\"Image\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">YEN\u0130 ESERLER, YEN\u0130 ARAYI\u015eLAR<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Beethoven\u2019in 2. Senfonisi i\u00e7in \u201cson klasik senfoni\u201d ifadesini kullan\u0131yorsunuz. Bu eseri g\u00fcn\u00fcm\u00fcz dinleyicisine aktar\u0131rken \u00f6zellikle hangi dramatik ya da yap\u0131sal unsurlar\u0131 \u00f6ne \u00e7\u0131karmay\u0131 \u00f6nemsiyorsunuz?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cSon klasik senfoni\u201d derken kastetti\u011fim, 3. Senfoni\u2019de g\u00f6rece\u011fimiz inan\u0131lmaz yenilik, soyutlama , boyut ve daha nice devrim niteli\u011finde hareketten \u00f6nce bestecinin \u201ckendine ve dehas\u0131na hakim olma gayretleri\u201d demek daha do\u011fru olur. Ama ilk g\u00f6r\u00fcn\u00fc\u015fte klasik kal\u0131plara yak\u0131nl\u0131\u011f\u0131 g\u00f6r\u00fclse de, arka planda ba\u015f\u0131m\u0131za ileriki senfonilerde neler neler gelece\u011finin i\u015faretleriyle dolu.&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Yeni eser sipari\u015fleriyle olu\u015fturulan ar\u015fivler, T\u00fcrkiye\u2019de \u00e7a\u011fda\u015f m\u00fczik i\u00e7in \u00f6nemli bir haf\u0131za alan\u0131 yarat\u0131yor. Sizce bu durumun uzun vadede m\u00fczik tarihimize katk\u0131s\u0131 nas\u0131l \u015fekillenir?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Yeni eser sipari\u015flerinin \u00f6nemini ne kadar anlatsam az. Gedik Sanat\u2019\u0131n kurulu\u015fundan bu yana ge\u00e7en az s\u00fcrede kazan\u0131lan yeni eser say\u0131s\u0131 inan\u0131lmaz. Sipari\u015f etti\u011fimiz ve \u00e7ald\u0131\u011f\u0131m\u0131z her m\u00fczi\u011fin birer \u015faheser oldu\u011funu iddia etmiyoruz tabii, ama m\u00fczik tarihinde yenilikler icra edile edile kal\u0131c\u0131 olabilecekler kendini belli etmi\u015f. Besteciler \u00fcretmeli, icrac\u0131lar \u00e7almal\u0131. Uzun vadede ne olaca\u011f\u0131n\u0131 bilemeyiz, ama s\u0131f\u0131r \u00fcretimin kime ne<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/media.cumhuriyet.com.tr\/Archive\/a9b2343d-ae0b-444c-b19c-fea182d91627.jpg\" alt=\"Image\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;faydas\u0131 var ki?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u2018K\u00dcLT\u00dcR DENEN \u015eEY B\u0130R B\u00dcT\u00dcND\u00dcR\u2019<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Son y\u0131llarda repertuvar\u0131n\u0131zda 20. y\u00fczy\u0131l ve \u00e7a\u011fda\u015f m\u00fczik ile klasik d\u00f6nem eserlerini birlikte ele al\u0131yorsunuz. T\u00fcrkiye\u2019de dinleyicinin bu \u00e7ok katmanl\u0131 programa yakla\u015f\u0131m\u0131n\u0131 nas\u0131l g\u00f6zlemliyorsunuz?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Bir\u00e7ok m\u00fczisyenin tavr\u0131, programlar\u0131m\u0131n T\u00fcrkiye i\u00e7in \u201cbir numara b\u00fcy\u00fck\u201d geldi\u011fi. Asl\u0131nda b\u00f6yle bir \u015fey yok. \u0130nsanlar\u0131n \u00e7o\u011funun, san\u0131landan daha merakl\u0131 ve ilgili oldu\u011funu on y\u0131llar s\u00fcren deneyimimle ya\u015fad\u0131m.&nbsp; Dengeli programlama,&nbsp; iyi anlat\u0131m ve iyi icra oldu\u011fu zaman insanlar konfor alanlar\u0131ndan \u00e7\u0131kmay\u0131 kabul ediyor. \u0130stanbul Gedik \u00dcniversitesi\u2019nin \u00f6\u011frencileri de konserleri takip ediyor, bir sezon sonunda, sanatsal ve duygusal alanlar\u0131n\u0131n geni\u015fledi\u011fini, \u201ck\u00fclt\u00fcr\u201d denen \u015feyin bir b\u00fct\u00fcn oldu\u011funu kavrad\u0131klar\u0131n\u0131 g\u00f6r\u00fcyoruz. Zaten e\u011fitim dedi\u011fimiz bu olmal\u0131.&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u2018HIR\u00c7IN, KOM\u0130K, HEM KLAS\u0130K HEM ROMANT\u0130K\u2019<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Bir eserin d\u00fcnya pr\u00f6miyerini y\u00f6netmek ile yerle\u015fik bir ba\u015fyap\u0131t\u0131 yorumlamak aras\u0131nda bir fark var m\u0131?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Klasik ba\u015fyap\u0131tlar belki her zaman daha zor. \u0130lle de \u201cyeni bir yakla\u015f\u0131m\u201d pe\u015finde oldu\u011fumuzdan de\u011fil, onlar\u0131 klasik yapan, bar\u0131nd\u0131rd\u0131klar\u0131 derinliklere dalman\u0131n sonu olmad\u0131\u011f\u0131 i\u00e7in. \u0130lk kez seslendirilecek bir eserde avantaj bestecinin yan\u0131 ba\u015f\u0131n\u0131zda olabilmesi, gerek icrac\u0131lar gerek dinleyicileri al\u0131\u015fkanl\u0131klar\u0131n\u0131n d\u0131\u015f\u0131nda \u00e7\u0131karmak durumunda oldu\u011funuz i\u00e7in.&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>30 Nisan\u2019da iki eserin pr\u00f6miyerini yapaca\u011f\u0131n\u0131z bir konserle sahnede olacaks\u0131n\u0131z. Bu konser \u00f6zelinde, dinleyicinin salondan \u00e7\u0131karken zihninde kalmas\u0131n\u0131 istedi\u011finiz iz ya da duygu ne olurdu?<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Konserin son eseri Beethoven oldu\u011fu i\u00e7in tabii ki, bar\u0131\u015fmaz g\u00f6r\u00fcnen unsurlar\u0131n bir arada olabildi\u011fi, hem h\u0131r\u00e7\u0131n, hem komik, hem klasik hem romantik, hem melek hem \u015feytan y\u00fcz\u00fc kalacak zihinlerde. Ama ilk defa sese b\u00fcr\u00fcnecek yeni m\u00fcziklerin de \u201ciyi ki gelmi\u015fiz\u201d dedirtece\u011fine inan\u0131yorum.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">kaynak : <a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/gedik-filarmoni-den-iki-promiyer-ile-zamanlararasi-bir-kopru-2499091\">cumhuriyet<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">28.04.2026          23:27<\/p>\n","protected":false},"excerpt":{"rendered":"Gedik Filarmoni, klasik m\u00fczik repertuvar\u0131n\u0131 \u00e7a\u011fda\u015f bir bak\u0131\u015fla yeniden yorumlad\u0131\u011f\u0131 \u00f6zel bir konserle dinleyici kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yor. Program, iki&hellip;","protected":false},"author":4,"featured_media":10588,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[1,33],"tags":[],"class_list":["post-10578","post","type-post","status-publish","format-standard","has-post-thumbnail","category-genel","category-sanat-kultur","cs-entry","cs-video-wrap"],"_links":{"self":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/10578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/comments?post=10578"}],"version-history":[{"count":1,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/10578\/revisions"}],"predecessor-version":[{"id":10589,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/posts\/10578\/revisions\/10589"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media\/10588"}],"wp:attachment":[{"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/media?parent=10578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/categories?post=10578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neoberidhaber.kahveciyazilim.com\/index.php\/wp-json\/wp\/v2\/tags?post=10578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}